In a lengthier discussion, these and other elements could be explored. Rich was not eternally carrying a knife or wearing a funny suit, but instead she meant she had a mindset that would protect her from the harmful and cruel things readers and critics may say to and about her.
Although Rich was telling he story of her discovery, this poem can be interpreted differently by readers without knowledge of her life story. Published in partnership with the Great Books Foundation.
What more does the title suggest? Then again that feeling is balanced out when we are reminded how stupid people can look in scuba gear. And the knife suggests danger. This is a good general question.
Clearly there are further elements of the poem to question as well, such as the relationship between lineation or form in general and content. Norton, An Atlas of the Difficult World: The poem sets up a contrast between the happy, lively world of Jacques Cousteau i.
The style of these poems also revealed a shift from careful metric patterns to free verse. As the narrator descends, the water turns from blue to green to black, There is the effect of "blacking out," becoming unconscious, while still remaining in control.
In linesshe emphasizes the "edge of the knife-blade" and then describes the wetsuit as "body-armor. Whether, as Rich says, "by cowardice or courage," the exploration and discovery of new territory is still in a kind of uncertainty about identity, if not an identity crisis.
It is a poem of disaster, with a willingness to look into it deeply and steadily, to learn whatever dreadful information it contains, to accept it, to be part of it, not as victim, but as survivor.
Norton, The Fact of a Doorframe: Norton, What Is Found There: Although still seeming to be very much confused, she found her new life. By the end, the identity of the narrator is both one and many. The water would be pushing her back up, and the ladder would be so easy to just forget it and head back up to the deck.
Is it the female body, her own?"Diving into the Wreck" begins with a description of the speaker getting ready to go scuba diving.
In the first line, there's a kind of weird reference to "the book of myths." Why would you need to read myths before diving? It's hard to say at this point, and we think Rich wants us to wait, and to hold that image in our mind as we read the poem.
Diving into Rice’s poem, readers are engulfed in a sea of metaphors, longing to be connected to the reader’s life situations and to Rice’s self-discovery. The scuba diver in the poem is getting ready to go an adventure to.
Diving into the Wreck Adrienne Rich, - First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask.
“Diving into the Wreck” is a poem of ten stanzas in free verse. The poem is written in the first person. Sometimes poets use the first-person device to create a character who may have different values or beliefs from the author.
Diving into the Wreck Poem Analysis Adrienne Rich uses an observational, detached tone in “Diving into the Wreck” to write a detailed poem that focuses on humanity; storytellers as observers, recorders, and explorers; and the isolation of life; as well as the shared community found through the experience of story, through the mythical inner journey of.
Analysis of Diving Into the Wreck There are many poems in today’s literature that are detailed and paint a picture for the reader.
A poem that really stands out is Diving Into the Wreck by Adrienne Rich. Rich is a well known poet born in Baltimore, Maryland (Milne). She is a very influential poet in the subjects of feminism and the rights of women.Download