Ranse reverts to the role of fence-mending politician during an exchange with the conductor. Costner on Valance Beginning with SilveradoKevin Costner has never been far from one Western project or another, and Dances With Wolveswhich he produced, directed and starred in, is one of only three Westerns to win a Best Picture Academy Award.
This sequence takes place in the new school in the frontier community of Shinbone, where teacher Ranse Stoddard James Stewart presides over a virtual western miniature of the American melting pot.
Marvin was a Marine, and John Wayne played a Marine. Pitney said in an interview that he was in the studio about to record the song when " It is interesting in this respect to briefly consider the relationships certain directors have shared with their leading men. Are you talking about the character of Ransom Stoddard or Tom Doniphon?
That was never him. He works washing dishes and waiting tables in their eatery, and establishes a daily school to teach the locals, including Hallie, how to read and write.
Variety called the film "entertaining and emotionally involving," but thought if the film had ended twenty minutes earlier, "it would have been a taut, cumulative study of the irony of heroic destiny," instead of concluding with "condescending, melodramatic, anti-climactic strokes.
The belief that he shot and killed Valance — far from establishing his credentials — serves as the sole barrier to his nomination; allowing those opposing him to cast him as heedless and blood-stained. They just want to do it. This is suggested by contrasting the two sequences where Tom, using almost identical language, tells Hallie how pretty she is when she is angry.
In that sense, the film is perfectly congruent with the notion of a Ford who became increasingly bitter and pessimistic with age, and ultimately challenged many of the moral tenets his earlier films had so eloquently affirmed.
The objections to his candidacy centre on his shooting of Valance: A line in the picture gets quoted often, even by those who have never seen the movie. I would say so. This persisted untiland Stagecoach. Clothierhowever, "There was one reason and one reason only It was Doniphon, not Stoddard, who shot down Valance.
Ford acknowledges this difference, punctuating the correction by cutting from Pompey to a slightly asymmetrical shot of Ranse sternly seated at his desk, and viewed from an angle used in no other context in the scene. That statehood and the rule of law genuinely represent progress — in a positive, unsatirical sense of the term — is not significantly argued against.
On the other hand, intellectually Stoddard is superior to his future wife, and it is arguable that he condescends to her at points: By contrast, the modern town is drab and efficient: He did not want that fight to occur.
They have come back to attend the funeral of impoverished "nobody" Tom Doniphon John Wayne. Meanwhile, Stoddard and Hallie grow increasingly close.
A growing population means that Shinbone is required to send two delegates to a territorial convention for statehood. Valance and Doniphon, stagecoach robber and horse trader, alike find themselves trapped in obsolescent careers, doomed by their inability to adapt.
He takes a gun and waits for Valance in the street. Stewart has a prejudice against Negroes, but I just wanted you all to know about it.
What should have been left to enthrall the imagination is spelled out until there is nothing left to savor or discuss. What do you think?
This means that for much of the film, Stewart and Wayne — 53 and 54 years old respectively at the time of shooting — portray men in their twenties. The cumulative effect of the sequence, the words, the gestures and the music, is overwhelmingly poignant.
Stoddard was about to reveal this to the world, but Doniphon told him not to. Time inevitably betrays the dreams of youth and leaves only the melancholy of age to recall the past and mourn its passing.
But then a peculiar thing happens to the storybook civics lesson. His presence may be signaled by a sound, as of horses when he arrives at the town meeting, or he may simply materialize, as at the stagecoach hold-up, where he looms up out of a rock formation.The Man Who Shot Liberty Valance has been so widely discussed, dissected and applauded that by now it must rank as one of John Ford’s least underappreciated films.
Its reputation is due in no small part to the obvious feeling Ford invested in the project, making of it his final meditation on a large part of the mythic territory he invented and.
Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an mi-centre.com film opens inwith distinguished and influential U.S.
senator Ransom Stoddard (James Stewart) and his wife Hallie returning to the dusty little frontier town where they met and married twenty-five 10/ The Man Who Shot Liberty Valance: The Man Who Shot Liberty Valance, American western film, released inthat was John Ford’s poetic and sombre look at the end of the Wild West era.
Although atypical of his usual works, it is widely considered Ford’s last great movie and among his best westerns. The story opens with the return. An Analysis of the Film The Man Who Shot Liberty Valance by John Ford PAGES 1.
WORDS View Full Essay. More essays like this: ransom stoddard, john ford, the man who shot liberty valance.
Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed. The Man Who Shot Liberty Valance () is the last truly important movie in the career of director John Ford. As Liberty Valance begins, the period we see in the film is roughly the same time that Ford first began making Westerns, in the.
The Man Who Shot Liberty Valance (/ ˈ v æ l ə n s /) is a American western film directed by John Ford starring James Stewart and John Wayne. The black-and-white film was released by Paramount Pictures. The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a short story written by Dorothy M.